apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young redhead girl
Young redhead girl by Diogène Maillart

plate no. 2113

Young redhead girl

Diogène Maillart

oil, canvasAcademicismportraitportraitfiguredresschairhairlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle color variations and light effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value across the face and hands.

  4. step 04

    Develop the details of the dress, focusing on the folds and drapery, and the texture of the lace.

  5. step 05

    Add details to the hair, building up layers of color to create depth and volume.

  6. step 06

    Refine the chair and background, adding details and adjusting values as needed.

  7. step 07

    Add final highlights and details to the face and dress.

  8. step 08

    Review the painting as a whole, making any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre · raw sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white to create the light blue of the dress, adding touches of grey for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle shifts in value across the skin.
  • →Overworking the details, resulting in a stiff or unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 filbert brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus