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home·artworks·Young mother with child
Young mother with child by Lucas Cranach the Elder

plate no. 1789

Young mother with child

Lucas Cranach the Elder, 1529

oil, panelNorthern Renaissanceportraitfigureportraitbabylandscapetreesclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and facial features, as well as understanding the use of glazes to create depth and luminosity in clothing and background elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a smooth gesso layer.

  2. step 02

    Create a light sketch outlining the main shapes: the mother, child, and background elements.

  3. step 03

    Block in the main color areas for the skin, clothing, and background, focusing on accurate values.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, including the intricate patterns and textures, using thin glazes of color.

  6. step 06

    Refine the background landscape, focusing on creating depth and atmosphere through layering and blending.

  7. step 07

    Add final details and highlights to the figures and clothing, paying attention to the light source.

  8. step 08

    Apply a final varnish layer to protect the painting and enhance the colors.

color palette

primary · ivory black · yellow ochre · cadmium red light · titanium white

secondary · burnt umber · ultramarine blue · cadmium yellow

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the rich reds and browns of the clothing by layering burnt umber and cadmium red. Create the gold tones with yellow ochre and a touch of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending
  • ·layering

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle nuances of the facial expressions.
  • →Getting lost in the details of the clothing and losing sight of the overall composition.
  • →Using colors that are too saturated, resulting in an unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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