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home·artworks·Young Man with a Book
Young Man with a Book by Ernest Meissonier

plate no. 1508

Young Man with a Book

Ernest Meissonier, 1869

oil, panelAcademicismgenre paintingfigurebenchbuildingbookshadowclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a relaxed pose and capturing subtle light and shadow variations to create depth and form. It also provides practice in depicting textures and details in clothing and architectural elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure and the bench.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the figure's form by layering in darker shadows and lighter highlights, paying attention to the folds and wrinkles in the clothing.

  4. step 04

    Refine the details of the face, hands, and book, using smaller brushes and more precise strokes.

  5. step 05

    Add texture to the bench and the surrounding architectural elements using dry brush techniques.

  6. step 06

    Glaze thin layers of color to unify the painting and create subtle color variations.

  7. step 07

    Pay attention to the edges of the forms, softening some and sharpening others to create depth and visual interest.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · cadmium red

secondary · yellow ochre · titanium white

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black. Use cadmium red to create the red coat, mixing with burnt umber to darken and titanium white to lighten.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Creating overly sharp or harsh edges.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned ground to create a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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