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home·artworks·Young Child of the Le Blond Family
Young Child of the Le Blond Family by Rosalba Carriera

plate no. 1565

Young Child of the Le Blond Family

Rosalba Carriera, 1740

pastelRococoportraitportraitfigurechildclothingrococopastel
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors for skin tones and capturing delicate details in clothing and hair. It also provides practice in achieving soft, diffused lighting effects typical of Rococo portraiture.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the head, shoulders, and clothing.

  2. step 02

    Establish the background with a soft, blended layer of dark blue or gray pastel.

  3. step 03

    Block in the main areas of skin tone using light pink, cream, and yellow pastels.

  4. step 04

    Carefully blend the skin tones, paying attention to the subtle shifts in color and value.

  5. step 05

    Add details to the eyes, nose, and mouth, using darker shades of pastel for definition.

  6. step 06

    Work on the hair, using light and dark shades of white, gray, and yellow to create texture and volume.

  7. step 07

    Render the clothing, focusing on the folds and highlights in the fabric.

  8. step 08

    Add final details, such as the lace trim and the object in the child's hand.

color palette

primary · titanium white · rose madder · yellow ochre · ultramarine blue

secondary · burnt sienna · raw umber · payne's gray

Achieve skin tones by layering and blending white, rose madder, yellow ochre, and a touch of blue. Mix various shades of blue and gray for the background. Use white with small amounts of other colors to create the pale tones in the clothing.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·soft shading
  • ·color mixing

common pitfalls

  • →Over-blending, which can result in a muddy or lifeless appearance.
  • →Using too much pressure when applying pastel, which can make it difficult to blend.
  • →Neglecting the subtle shifts in color and value, which can make the portrait look flat.
  • →Failing to capture the delicate details in the clothing and hair.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Blending stumps
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Drawing board
  • ·Reference image

optional

  • ·Palette knife
  • ·Workable fixative
  • ·Pastel pencils

Choose a pastel paper with a slightly textured surface to grip the pastel. A toned paper will make it easier to establish the values in the portrait.

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