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home·artworks·Yellow Blockhouse
Yellow Blockhouse by Istvan Ilosvai Varga

plate no. 5783

Yellow Blockhouse

Istvan Ilosvai Varga, 1934

oilCubismcityscapebuildingsstreetcityscapearchitecturesky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and understanding atmospheric perspective through color and value changes. It will also improve their ability to create depth using overlapping shapes and varying brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the road, focusing on the overall composition and perspective.

  2. step 02

    Block in the main color areas for the sky, buildings, and road using thin washes.

  3. step 03

    Start building up layers of paint on the buildings, defining the shapes and adding details like windows and roofs.

  4. step 04

    Use thicker paint and visible brushstrokes to create texture and depth, especially on the foreground elements.

  5. step 05

    Pay attention to the light and shadow patterns, and adjust the values accordingly.

  6. step 06

    Add details to the road and surrounding areas, using a variety of brushstrokes to create a sense of depth and texture.

  7. step 07

    Refine the edges and shapes of the buildings, and add any final details.

  8. step 08

    Let the painting dry completely and then add a final layer of varnish to protect the surface.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre · titanium white

secondary · raw umber · cadmium red light

Mix burnt sienna and ultramarine blue to create the darker tones for the shadows and road. Use yellow ochre and titanium white for the lighter areas of the buildings. Add cadmium red light to the burnt sienna to achieve the red building color.

techniques

  • ·blocking in
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Ignoring the atmospheric perspective.
  • →Using too much detail in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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