apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Yard in Crimea
Yard in Crimea by Robert Falk

plate no. 4592

Yard in Crimea

Robert Falk, 1916

oilCubismlandscapebuildingstreeslandscapeyardskywall
some experience helpful

This painting offers a good opportunity to practice simplifying complex forms into geometric shapes and using a limited palette to create a harmonious color scheme. Students will learn to capture the essence of a scene rather than focusing on realistic details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and landscape, focusing on their geometric forms.

  2. step 02

    Establish the horizon line and the main divisions of the composition.

  3. step 03

    Block in the large areas of color using thin washes, starting with the sky and the most prominent building colors.

  4. step 04

    Gradually build up the colors, adding layers and variations to create depth and texture.

  5. step 05

    Use thicker paint and visible brushstrokes to define the edges of the shapes and add details.

  6. step 06

    Pay attention to the light and shadow, using contrasting values to create form and dimension.

  7. step 07

    Add the details of the wall and the ground, using a dry brush technique to create texture.

  8. step 08

    Refine the composition and adjust the colors as needed to achieve a harmonious balance.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · sap green

Mix yellow ochre and burnt sienna for the warm tones of the buildings. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for the horizon. Mix greens from blue and yellow, and browns from umber and sienna.

techniques

  • ·blocking in
  • ·dry brush
  • ·color mixing
  • ·layering
  • ·geometric abstraction

common pitfalls

  • →Overworking the details and losing the simplicity of the composition.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a strong value structure.
  • →Not simplifying the forms into basic geometric shapes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#4, #6, #8)
  • ·Flat brush (#6)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to enhance the brushwork. Acrylic paints are easier for beginners, while oil paints offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger