apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Worked Over
Worked Over by Charles M. Russell

plate no. 8456

Worked Over

Charles M. Russell, 1925

oilRomanticismgenre paintingcowboyshorsescattlelandscapemountainssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic animal forms within a landscape. It also provides practice in creating depth through layering and color variation.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, mountains, cowboys/horses, and cattle.

  2. step 02

    Establish the sky with a thin wash of diluted yellow ochre and a touch of alizarin crimson, blending to create a warm, hazy effect.

  3. step 03

    Lay in the base colors for the distant mountains using a mix of blues, purples, and grays, keeping them muted to suggest distance.

  4. step 04

    Begin painting the landscape, starting with the furthest areas and working forward, using varied earth tones.

  5. step 05

    Add details to the cowboys and horses, paying attention to their anatomy and the fall of light.

  6. step 06

    Paint the cattle, varying their colors and poses to create a sense of realism.

  7. step 07

    Add details to the foreground, including grasses, shrubs, and the waterhole, using dry brush techniques for texture.

  8. step 08

    Refine details and adjust values to create depth and atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · alizarin crimson · raw umber · titanium white

Mix muted purples for the mountains by combining ultramarine blue and alizarin crimson. Achieve earth tones by mixing burnt sienna, raw umber, and yellow ochre. Use white to lighten values and create highlights.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·rendering animal forms

common pitfalls

  • →Overworking details too early
  • →Using colors that are too saturated
  • →Ignoring the principles of perspective
  • →Failing to create a sense of depth

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb or heavier)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke