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home·artworks·Wood in snow
Wood in snow by Peder Mørk Mønsted

plate no. 0940

Wood in snow

Peder Mørk Mønsted

oil, canvasAcademicismlandscapetreessnowforesthorsefigurewinter
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and subtle color mixing to create a realistic winter scene. It also provides practice in rendering complex textures like snow and tree bark.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and horse-drawn sleigh.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones, paying attention to the light source.

  3. step 03

    Block in the main shapes of the trees and snowdrifts, using a limited palette of whites, grays, and browns.

  4. step 04

    Begin layering colors to create depth and dimension in the snow, using subtle variations in hue and value.

  5. step 05

    Add details to the trees, including branches, bark texture, and snow accumulation.

  6. step 06

    Paint the horse and figure, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details of the path and surrounding landscape, adding shadows and highlights to create a sense of realism.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmospheric effect.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · ultramarine blue · burnt sienna

Achieve the subtle grays and blues of the snow by mixing titanium white with small amounts of raw umber, ivory black, and ultramarine blue. Use yellow ochre and burnt sienna to add warmth to the tree bark and foliage.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much pure white and creating a flat, lifeless snow effect.
  • →Ignoring the subtle color variations in the snow and trees.
  • →Failing to establish a clear light source and value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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