
plate no. 9948
Georges Braque, 1945
Recreating this painting will help students understand cubist abstraction and how to break down complex forms into geometric shapes. It also provides practice in color mixing to achieve muted and harmonious tones.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition, focusing on the placement of the figure and still life elements.
Block in the large areas of color, starting with the background and then moving to the figure and objects.
Refine the shapes and add details, paying attention to the overlapping planes and geometric forms.
Mix and apply subtle variations in color to create depth and dimension.
Add highlights and shadows to enhance the contrast and create a sense of volume.
Define the edges of the shapes with darker or lighter tones to create separation.
Add the details of the guitar and book, simplifying them into geometric forms.
Review and adjust the overall composition, making sure the colors and shapes are balanced.
color palette
primary · Prussian blue · Burnt umber · Yellow ochre · Titanium white
secondary · Sap green · Cadmium red light · Payne's gray
Mix muted greens by combining yellow ochre, prussian blue, and a touch of burnt umber. Achieve the browns by mixing burnt umber with yellow ochre and a touch of red. Use white to lighten the colors and create subtle variations in tone.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.
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