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home·artworks·Woman Weighing Gold
Woman Weighing Gold by Jan van Hemessen

plate no. 9895

Woman Weighing Gold

Jan van Hemessen

oilNorthern Renaissanceportraitfigureportraitgoldscaleswindowinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering textures like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, the table, the window, and the gold objects.

  2. step 02

    Block in the background with thin washes of color, paying attention to the subtle variations in the wood paneling.

  3. step 03

    Establish the basic skin tones of the face and hands, focusing on the light and shadow areas.

  4. step 04

    Begin layering the colors of the clothing, building up depth and texture with thin glazes.

  5. step 05

    Paint the gold objects, using highlights and shadows to create a sense of volume and reflectivity.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, paying attention to the subtle nuances of expression.

  7. step 07

    Refine the details of the clothing, jewelry, and other objects, adding highlights and shadows to create a sense of realism.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced and harmonious.

color palette

primary · red · ochre · ivory black · titanium white

secondary · gold · brown · grey

Mix skin tones by blending white, ochre, and a touch of red. Achieve the gold effect by layering yellows, browns, and highlights of white.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering metal
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to capture the subtle nuances of skin tone.
  • →Making the gold objects look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, ochre, ivory black, titanium white, brown, gold)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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