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home·artworks·Woman Holding a Fruit
Woman Holding a Fruit by Raja Ravi Varma

plate no. 0160

Woman Holding a Fruit

Raja Ravi Varma

oilAcademicismportraitfigureportraitwomanfruitjewelrysari
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and drapery, as well as capturing subtle light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and fruit.

  2. step 02

    Establish the background with a thin wash of muted browns and greens.

  3. step 03

    Block in the main shapes of the figure, including the face, arms, and sari, using simplified color masses.

  4. step 04

    Begin refining the skin tones, layering thin glazes of color to create depth and luminosity.

  5. step 05

    Develop the details of the sari, paying attention to the folds and highlights.

  6. step 06

    Add details to the jewelry, using small brushes to capture the intricate designs.

  7. step 07

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · yellow ochre · burnt umber · titanium white · alizarin crimson

secondary · viridian green · gold

Mix skin tones by blending yellow ochre, burnt umber, alizarin crimson, and titanium white. Achieve the sari color by mixing alizarin crimson with white and a touch of yellow ochre. Create the background with a mix of burnt umber, viridian green, and white.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting lost in the details and neglecting the overall composition.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, alizarin crimson, viridian green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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