apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter landscape
Winter landscape by Peder Mørk Mønsted

plate no. 1105

Winter landscape

Peder Mørk Mønsted, 1920

oil, canvasAcademicismlandscapesnowtreesmountainsskywinterlandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict the subtle color variations in snow under different lighting conditions. It's also a good exercise in layering and creating depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and mountains.

  2. step 02

    Establish the sky with a light blue wash, blending it softly.

  3. step 03

    Block in the distant mountains with a muted blue-gray tone, paying attention to value.

  4. step 04

    Begin layering the snow on the trees, starting with darker shadows and gradually adding highlights.

  5. step 05

    Paint the foreground snow, varying the color temperature to create depth.

  6. step 06

    Add details to the trees, such as branches and snow clumps.

  7. step 07

    Refine the ski tracks in the snow, paying attention to their perspective.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · burnt sienna · yellow ochre · ivory black

Mix white with small amounts of blue and umber to create the various shades of snow. Use burnt sienna and yellow ochre to add warmth to the snow in the foreground. Add black to create the darker shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value control

common pitfalls

  • →Making the snow too uniformly white, losing the subtle color variations.
  • →Not establishing a clear light source, resulting in flat and unconvincing shadows.
  • →Overworking the details, making the painting look stiff and unnatural.
  • →Ignoring the atmospheric perspective, causing the distant mountains to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A pre-primed canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus