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home·artworks·Winter Landscape
Winter Landscape by Albert Dubois-Pillet

plate no. 3596

Winter Landscape

Albert Dubois-Pillet, 1885

oilPointillismlandscapelandscapesnowbuildingstreesskyfence
some experience helpful

Recreating this painting will help students understand color mixing for subtle variations and practice the pointillism technique of applying small dots of color. It also provides experience in creating depth and perspective using color and value.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and horizon line.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of diluted paint.

  3. step 03

    Begin applying small dots of color, starting with the sky and working downwards.

  4. step 04

    Focus on layering different colors to create depth and texture in the snow.

  5. step 05

    Use warmer colors for the trees and buildings to contrast with the cool snow.

  6. step 06

    Pay attention to the direction of light and shadow to create a sense of form.

  7. step 07

    Add details to the buildings and trees with smaller dots of color.

  8. step 08

    Refine the overall composition and adjust colors as needed.

color palette

primary · titanium white · ultramarine blue · burnt sienna

secondary · yellow ochre · cadmium red · viridian green

Mix white with small amounts of blue and sienna to create the various shades of snow. Use combinations of red, sienna, and yellow for the trees and buildings. Add small amounts of green to the snow for subtle color variations.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Applying dots too uniformly, resulting in a flat and lifeless appearance.
  • →Using colors straight from the tube without mixing, leading to a harsh and unnatural look.
  • →Losing the overall composition by focusing too much on individual dots.
  • →Not varying the size and density of the dots to create depth and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·small round brushes (sizes 0-2)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a smooth canvas surface for best results. Acrylics will dry faster, while oils will allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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