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home·artworks·Windmill in the Gein
Windmill in the Gein by Piet Mondrian

plate no. 8917

Windmill in the Gein

Piet Mondrian, 1907

oil, canvasImpressionismlandscapewindmillskycloudswaterlandscapereflection
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and creating depth through color and value variations. It also provides practice in loose, expressive brushwork to convey texture and movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the windmill and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Paint the distant land and water, using muted colors and soft edges to create atmospheric perspective.

  4. step 04

    Add the windmill, focusing on its basic shape and proportions.

  5. step 05

    Refine the colors and values of the sky, clouds, and water, paying attention to the reflections.

  6. step 06

    Develop the details of the windmill, adding highlights and shadows to create form.

  7. step 07

    Add final touches, such as subtle color variations and textural details.

  8. step 08

    Step back and adjust the overall composition and color balance.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Achieve the atmospheric colors by mixing white with small amounts of umber, ochre, and blue. Use burnt sienna and umber for the windmill, and add touches of green and yellow for the landscape.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors that are too saturated and bright.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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