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home·artworks·William Wilberforce
William Wilberforce by John Russell

plate no. 4718

William Wilberforce

John Russell, 1770

oilRococoportraitportraitfigureboyclothinghistoricallace
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a dark, muted green.

  3. step 03

    Establish the basic skin tones using a limited palette of colors.

  4. step 04

    Begin layering and blending the skin tones to create smooth transitions and subtle variations in color.

  5. step 05

    Paint the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final details, such as the lace collar and the hair.

color palette

primary · titanium white · ivory black · yellow ochre · burnt sienna

secondary · ultramarine blue · alizarin crimson · raw umber

Achieve skin tones by mixing titanium white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ivory black and raw umber to create the dark background. Mix ultramarine blue and titanium white for the blue clothing.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Not paying enough attention to the details of the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 0, 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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