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home·artworks·William Wilberforce (1759–1833)
William Wilberforce (1759–1833) by John Russell

plate no. 1846

William Wilberforce (1759–1833)

John Russell

oilRococoportraitportraitfigureclothinghistoricalmalescroll
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding light and shadow to create form. Students will also learn to mix subtle color variations and create realistic textures in clothing and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with broad, blended strokes of dark colors, indicating the drapery and light source.

  3. step 03

    Block in the main areas of the face, using a limited palette of skin tones and focusing on the planes of the face.

  4. step 04

    Refine the facial features, adding details to the eyes, nose, and mouth, and paying attention to the subtle shifts in value.

  5. step 05

    Paint the clothing, starting with the darkest areas and gradually adding highlights, creating the folds and textures of the fabric.

  6. step 06

    Add details to the hair, using small brushstrokes to create the individual strands and highlights.

  7. step 07

    Paint the hand and scroll, paying attention to the foreshortening and the subtle variations in skin tone.

  8. step 08

    Make final adjustments to the values and colors, ensuring that the painting has a sense of depth and realism.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · burnt umber · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and cadmium red. Use burnt umber and ultramarine blue to create deep shadows. Mix white with small amounts of yellow ochre and burnt sienna for the scroll.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the facial features.
  • →Flat or lifeless rendering of the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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oil painting for beginners →how to learn by studying the masters →
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