apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·William Murray, 1st Earl of Mansfield, Holding a Book and a Quill
William Murray, 1st Earl of Mansfield, Holding a Book and a Quill by Jean-Baptiste van Loo

plate no. 8576

William Murray, 1st Earl of Mansfield, Holding a Book and a Quill

Jean-Baptiste van Loo

oilRococoportraitportraitfigurebookquillclothingman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric textures. It also provides practice in creating subtle value gradations to suggest form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, book, and quill.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main value areas on the face, focusing on highlights and shadows.

  4. step 04

    Begin layering colors for the skin tones, blending carefully to create smooth transitions.

  5. step 05

    Paint the clothing, paying attention to the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the book and quill, using fine brushes for precision.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the dark browns of the clothing by mixing umber and black, adding small amounts of red or yellow for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and dimension in the clothing.
  • →Ignoring subtle value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West