apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·William Murray (1705–1793), 1st Earl of Mansfield
William Murray (1705–1793), 1st Earl of Mansfield by John Jackson

plate no. 9996

William Murray (1705–1793), 1st Earl of Mansfield

John Jackson, 1805

oilRococoportraitportraitfigurerobeschairwigdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also offers practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and main elements.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Block in the main color areas: the red robes, the wig, the background, and the skin tones.

  4. step 04

    Refine the skin tones, paying attention to subtle shifts in color and value to create form.

  5. step 05

    Develop the details of the robes, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the wig, using short, broken strokes to simulate texture.

  7. step 07

    Refine the background and other elements, adding details and adjusting values as needed.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · red · white · brown · black

secondary · gold · grey · cream

Achieve the red by mixing a crimson or scarlet with a touch of brown or black to deepen the tone. Mix skin tones using white, yellow ochre, and a touch of red and brown. Use grey and white for the wig.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle value changes that create form.
  • →Ignoring the importance of edges in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, white, brown, black, yellow ochre)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West