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home·artworks·William Herschel
William Herschel by Lemuel Francis Abbott

plate no. 1779

William Herschel

Lemuel Francis Abbott

oilRococoportraitportraitfiguremanclothinghistoricalhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for skin tones and creating depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main areas of color: skin tones, hair, coat, and background.

  4. step 04

    Begin refining the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the clothing and background, paying attention to the folds and shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create dark shadows and background tones.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Ignoring the value structure, which can flatten the form.
  • →Using too much paint, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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