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home·artworks·White Houses, Ville d'Avray
White Houses, Ville d'Avray by Georges Seurat

plate no. 5313

White Houses, Ville d'Avray

Georges Seurat, 1882

oil, canvasPointillismlandscapebuildingslandscapefieldtreesskyhouses
some experience helpful

Recreating this painting will help students understand color mixing for subtle variations and practice applying pointillist techniques to build form and texture. It also provides practice in creating depth through color and value changes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, wall, and landscape, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the basic division of the sky, buildings, and ground.

  3. step 03

    Begin applying small dots of color to the sky, starting with the lightest areas and gradually adding darker tones.

  4. step 04

    Work on the buildings, using a mix of white, gray, and touches of ochre to create the impression of sunlight and shadow.

  5. step 05

    Paint the roofs with small dots of red and orange, varying the intensity to suggest depth and form.

  6. step 06

    Create the field with a mix of yellow, green, and brown dots, layering the colors to create texture and variation.

  7. step 07

    Add the trees and bushes with darker greens and browns, using smaller dots to suggest foliage.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a harmonious overall effect.

color palette

primary · titanium white · yellow ochre · cadmium red · ultramarine blue

secondary · burnt umber · viridian green · cadmium yellow

Mix white with small amounts of yellow ochre and blue to create the subtle grays of the buildings. Combine red and yellow for the roof tiles, and mix greens from blue and yellow with touches of brown for the foliage.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, creating a flat, lifeless effect.
  • →Ignoring the subtle variations in color and value.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0-4)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)
  • ·rags

optional

  • ·easel
  • ·medium gloss
  • ·color wheel

Use small, high-quality brushes for precise dot application. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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