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home·artworks·Whiskey Smugglers Caught with the Goods
Whiskey Smugglers Caught with the Goods by Charles M. Russell

plate no. 9721

Whiskey Smugglers Caught with the Goods

Charles M. Russell, 1913

oilRomanticismgenre paintingfigureshorseslandscapemountainsskywestern
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the effects of light and shadow on various forms. It also provides practice in rendering textures of grass, rock, and clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of figures, horses, and the landscape elements.

  2. step 02

    Block in the main color areas of the sky, mountains, and foreground with thin washes.

  3. step 03

    Establish the basic values and colors of the figures and horses, paying attention to their proportions and poses.

  4. step 04

    Develop the landscape by adding details to the mountains, rocks, and vegetation, using a variety of brushstrokes to create texture.

  5. step 05

    Refine the figures and horses, adding details to their clothing, tack, and facial features.

  6. step 06

    Pay close attention to the light source and how it affects the colors and values of the scene.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic representation.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw umber · violet · sap green

Mix browns and earth tones by combining burnt sienna, raw umber, and yellow ochre. Achieve the sky's subtle gradients by blending ultramarine blue with white and touches of yellow and violet.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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