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home·artworks·Wedding Travelling in Space
Wedding Travelling in Space by Sabin Balasa

plate no. 1569

Wedding Travelling in Space

Sabin Balasa

oilSurrealismsymbolic paintingfigurelandscaperocksskysurrealflowers
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle gradients and understanding atmospheric perspective to create depth. It also provides practice in rendering organic forms and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rocks, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, landscape, and figure using diluted washes.

  3. step 03

    Begin layering colors to create the subtle gradients in the sky and landscape, working from dark to light.

  4. step 04

    Add details to the rocks, focusing on the texture and form using dry brush techniques.

  5. step 05

    Refine the figure, paying attention to the highlights and shadows to create a sense of volume.

  6. step 06

    Paint the flowers, using small brushstrokes to capture their texture and color.

  7. step 07

    Add final highlights and shadows to enhance the overall depth and contrast.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ultramarine blue · titanium white · purple

secondary · burnt umber · cadmium red · yellow ochre

Achieve the ethereal blues by mixing ultramarine blue with varying amounts of titanium white. Create the landscape colors by mixing purple with burnt umber and yellow ochre, adjusting the ratios for different shades.

techniques

  • ·glazing
  • ·dry brushing
  • ·color blending
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Using too much paint, which can result in a muddy appearance.
  • →Failing to create enough contrast between the light and dark areas.
  • →Not paying attention to the subtle color variations in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·purple oil paint
  • ·burnt umber oil paint
  • ·round brushes (small and medium)
  • ·flat brushes (medium)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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