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home·artworks·Waterloo Place
Waterloo Place by Robert Spencer

plate no. 9749

Waterloo Place

Robert Spencer, 1917

oilImpressionismcityscapebuildingssnowwinterfiguretreeswater
some experience helpful

This painting offers practice in capturing the subtle color variations in snow and the texture of buildings using broken brushstrokes. Students can also learn to create depth using atmospheric perspective and varying levels of detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, figure, and water, paying attention to perspective.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Block in the main areas of color, such as the buildings, snow, and water, using broader brushstrokes.

  4. step 04

    Begin to add details to the buildings, such as windows and doors, using smaller brushes.

  5. step 05

    Develop the texture of the snow and the water with broken brushstrokes and varying values.

  6. step 06

    Add the bare trees and branches, using a fine brush and a dark color.

  7. step 07

    Refine the details of the figure and the laundry line.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Mix white with small amounts of raw umber and yellow ochre to create the various shades of snow. Use ultramarine blue to cool down the snow shadows. Mix burnt sienna and raw umber for the building tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the snow too white and lacking in color variations.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using brushstrokes that are too uniform and lacking in texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 detail brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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