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Water Glass by Jean-Baptiste-Simeon Chardin

plate no. 0148

Water Glass

Jean-Baptiste-Simeon Chardin, 1760

oilRococostill lifeglasspitchergarlictablestill lifewater
some experience helpful

Recreating this painting will help students develop skills in rendering transparent objects and understanding subtle tonal variations to create form. It also provides practice in creating a harmonious and balanced composition.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Establish the background color with a thin wash of muted browns and grays.

  3. step 03

    Block in the main shapes of the glass, pitcher, and garlic with their respective base colors.

  4. step 04

    Start building up the values on the pitcher, paying attention to highlights and shadows.

  5. step 05

    Carefully render the glass, focusing on the reflections and refractions of light through the water.

  6. step 06

    Add details to the garlic and leaves, using small brushstrokes to create texture.

  7. step 07

    Refine the edges and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Achieve the muted tones by mixing browns with white and small amounts of blue or yellow. Use thin glazes to build up color and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·rendering transparent objects

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the subtle tonal variations.
  • →Making the glass look opaque instead of transparent.
  • →Ignoring the importance of reflected light.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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