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home·artworks·Walls of Jerusalem
Walls of Jerusalem by Jean David

plate no. 4261

Walls of Jerusalem

Jean David

oilSurrealismcityscapecityscapebuildingsskybirdwallsmoon
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating textures with brushstrokes, and understanding atmospheric perspective. It also encourages experimentation with abstracting architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the moon, focusing on composition.

  2. step 02

    Apply a thin wash of diluted acrylics or watercolors as an underpainting, using light blues and greens for the sky and yellows/oranges for the buildings.

  3. step 03

    Begin layering in the darker tones of the buildings, using browns, reds, and greens. Allow some of the underpainting to show through.

  4. step 04

    Use a dry brush technique to add texture to the walls and buildings, creating a sense of age and decay.

  5. step 05

    Mix and apply the colors for the bird, paying attention to its subtle variations in tone.

  6. step 06

    Add highlights to the buildings and the bird to create depth and dimension.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches like subtle patterns on the walls.

color palette

primary · burnt sienna · sap green · cerulean blue · titanium white

secondary · yellow ochre · raw umber · cadmium red light

Mix greens by blending blues and yellows, and create earthy tones by combining browns, reds, and yellows. Use white to lighten colors and create highlights.

techniques

  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the loose, expressive quality.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the importance of value contrast.
  • →Not allowing the underpainting to show through.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (or oil paints)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water (or solvent)
  • ·palette knife

optional

  • ·painting medium (for oils)
  • ·easel
  • ·rags
  • ·varnish

Using a textured canvas can enhance the dry brush effect. Acrylics are more beginner-friendly due to their faster drying time.

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oil painting for beginners →how to learn by studying the masters →
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