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home·artworks·Vue Portuaire
Vue Portuaire by Pierre-Jacques Pelletier

plate no. 1565

Vue Portuaire

Pierre-Jacques Pelletier

board, oilImpressionismmarinaharborboatsbuildingsskywaterfigures
some experience helpful

This painting helps students practice atmospheric perspective and capturing the essence of a scene with loose brushstrokes. It's a good exercise in simplifying complex subjects into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the sky with a light gray, blending it smoothly.

  3. step 03

    Establish the values of the water and land, using horizontal strokes for the water and varied strokes for the land.

  4. step 04

    Add the buildings and boats, simplifying their forms and using darker values for shadows.

  5. step 05

    Indicate the figures with quick, gestural strokes.

  6. step 06

    Add details like masts, flags, and the lighthouse, keeping them loose and impressionistic.

  7. step 07

    Refine the values and colors, paying attention to atmospheric perspective.

  8. step 08

    Add highlights to suggest light reflecting off the water and buildings.

color palette

primary · titanium white · raw umber · payne's gray

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of gray by combining white, raw umber, and a touch of blue. Use yellow ochre and raw umber to create the sandy tones. Add small amounts of red and blue for the flags.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones.
  • →Ignoring atmospheric perspective and making distant objects too sharp.
  • →Creating hard edges and not blending the colors smoothly.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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