apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin Giving Breast
Virgin Giving Breast by Jan Provoost

plate no. 0017

Virgin Giving Breast

Jan Provoost

oilNorthern Renaissancereligious paintingfiguremotherchildreligiouswindowhalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering realistic skin tones. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background, starting with the darkest areas and gradually adding highlights.

  3. step 03

    Block in the main colors of the figures, paying attention to the overall value structure.

  4. step 04

    Begin refining the skin tones, using thin layers of paint and subtle blending.

  5. step 05

    Add details to the clothing and accessories, such as the folds in the fabric and the ornamentation on the sleeves.

  6. step 06

    Paint the window and the objects visible through it, using a limited palette to create a sense of depth.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · red ochre · titanium white · raw umber

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Darken shadows with ivory black and ultramarine blue. Create the red fabrics by mixing cadmium red light with a touch of raw umber to mute the color.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to establish a strong value structure, leading to a lack of depth and realism.
  • →Getting the proportions of the figures wrong, resulting in an unnatural appearance.
  • →Using colors that are too saturated, creating a garish or artificial effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·red ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley