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home·artworks·Virgin and Child with St James the Great
Virgin and Child with St James the Great by Luis Paret y Alcazar

plate no. 8752

Virgin and Child with St James the Great

Luis Paret y Alcazar, 1786

oilRococoreligious paintingfiguresangelscloudsdraperyreligiouslandscape
experienced study

Recreating this painting will help students develop skills in rendering soft, diffused light and creating a sense of depth through atmospheric perspective. It also provides practice in painting figures with subtle skin tones and drapery folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the background tones and atmospheric perspective with thin washes.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions.

  4. step 04

    Begin layering colors on the figures, building up highlights and shadows gradually.

  5. step 05

    Refine the details of the faces, hands, and drapery folds.

  6. step 06

    Add details to the background elements, such as the clouds and landscape.

  7. step 07

    Glaze over areas to unify the color palette and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ultramarine blue · rose madder · yellow ochre

secondary · burnt umber · viridian · cadmium yellow light · ivory black

Achieve the soft skin tones by mixing white with small amounts of rose madder, yellow ochre, and burnt umber. Create the atmospheric perspective by adding white and blue to the background colors.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →overworking the details too early
  • →using colors that are too saturated
  • →failing to establish a clear value structure
  • →not paying attention to proportions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·rose madder oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial value structure.

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