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home·artworks·Virgin and Child With St. Anne and a Franciscan donor
Virgin and Child With St. Anne and a Franciscan donor by Hugo van der Goes

plate no. 7523

Virgin and Child With St. Anne and a Franciscan donor

Hugo van der Goes, 1475

oil, woodNorthern Renaissancereligious paintingfiguresreligiouslandscapetreesskyclothing
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also offers practice in mixing subtle color variations to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and landscape elements, paying attention to proportions and composition.

  2. step 02

    Block in the main color areas for the sky, landscape, and figures using thin washes of paint.

  3. step 03

    Begin to develop the forms of the figures by adding layers of color and shading, focusing on the folds of the drapery.

  4. step 04

    Refine the details of the faces and hands, paying close attention to the light and shadow.

  5. step 05

    Add details to the landscape, including the trees, rocks, and distant mountains, using atmospheric perspective to create depth.

  6. step 06

    Work on the details of the book and the ground vegetation.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and add depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · red ochre · raw umber · titanium white

secondary · yellow ochre · viridian green · ivory black

Mix various shades of blue by combining ultramarine with white and a touch of black. Achieve skin tones by mixing white, red ochre, and a small amount of yellow ochre and raw umber. Create muted greens for the landscape by mixing viridian green with yellow ochre and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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