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home·artworks·Virgin and Child with Mary Magdalen and a Donor
Virgin and Child with Mary Magdalen and a Donor by Lucas van Leyden

plate no. 6161

Virgin and Child with Mary Magdalen and a Donor

Lucas van Leyden, 1522

oil, panelNorthern Renaissancereligious paintingfigureslandscapereligiouschildportraitsky
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape.

  2. step 02

    Block in the main shapes and colors of the background landscape, paying attention to atmospheric perspective.

  3. step 03

    Establish the basic skin tones and values for each figure, focusing on accurate placement of highlights and shadows.

  4. step 04

    Develop the drapery and clothing, observing the folds and textures.

  5. step 05

    Refine the facial features and expressions of each figure, paying close attention to detail.

  6. step 06

    Add details to the background elements, such as the architecture and foliage.

  7. step 07

    Glaze thin layers of color to build depth and richness in the painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red ochre · ultramarine blue · ivory black · titanium white

secondary · burnt umber · yellow ochre · cadmium red light

Mix various shades of skin tones using white, red ochre, and a touch of yellow ochre. Achieve atmospheric perspective in the background by adding blue to the greens and browns.

techniques

  • ·glazing
  • ·portraiture
  • ·figure drawing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures
  • →Inaccurate skin tones
  • →Overworking the details too early
  • →Neglecting atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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