apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin and Child
Virgin and Child by Robert Campin

plate no. 5061

Virgin and Child

Robert Campin, 1410

oil, woodNorthern Renaissancereligious paintingfigurereligiouschilddraperyhalopattern
experienced study

Recreating this painting will help students develop skills in rendering realistic drapery and understanding the use of light and shadow to create form. It also provides practice in depicting human figures and complex patterns.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a smooth gesso layer.

  2. step 02

    Create a preliminary sketch outlining the main figures and composition.

  3. step 03

    Block in the main color areas, focusing on the background pattern first.

  4. step 04

    Begin layering the drapery, paying close attention to the folds and highlights.

  5. step 05

    Paint the figures, starting with the underpainting and gradually adding details.

  6. step 06

    Add the details of the halos and any other decorative elements.

  7. step 07

    Refine the details and adjust the values to create depth and dimension.

  8. step 08

    Apply a final varnish layer to protect the painting.

color palette

primary · red · gold · white · blue

secondary · brown · green · grey · black

Achieve the subtle variations in the drapery by mixing white with small amounts of brown, grey, and yellow. The gold is achieved with yellow ochre and burnt sienna. The red in the background is a mix of cadmium red and burnt umber.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·blending
  • ·rendering drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the figures.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, gold, white, blue, brown, green, grey, black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·gesso

optional

  • ·retouch varnish
  • ·drying medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley