apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin and Child
Virgin and Child by Lucas van Leyden

plate no. 7503

Virgin and Child

Lucas van Leyden, 1530

oilNorthern Renaissancereligious paintingfigurereligiousportraitdraperychildvirgin
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding how to render drapery and folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the background color with thin washes of green and black.

  3. step 03

    Block in the main shapes of the figures with base colors: flesh tones, green for the dress, white for the head covering.

  4. step 04

    Start layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the drapery by adding folds and highlights to the dress and head covering.

  6. step 06

    Paint the details of the face, including eyes, nose, and mouth.

  7. step 07

    Add the details of the child, including the orb and flower.

  8. step 08

    Refine the overall painting by adjusting values and adding final details.

color palette

primary · titanium white · viridian green · cadmium red light · ivory black

secondary · yellow ochre · raw umber · gold

Mix skin tones by blending white, red, and a touch of yellow ochre. Achieve the green by mixing viridian green with black and white for highlights. Use raw umber and black for shadows.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh blending, resulting in a flat appearance.
  • →Inaccurate skin tone rendering.
  • →Ignoring the subtle value changes in the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley