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Virgin and Child by Jan van Hemessen

plate no. 6927

Virgin and Child

Jan van Hemessen

oil, panelNorthern Renaissancereligious paintingfigurereligiouschildlandscapedraperywindow
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in subtle color mixing and tonal values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and background elements, paying attention to proportions and composition.

  2. step 02

    Establish the basic tonal values with thin washes of color, focusing on the light and shadow areas.

  3. step 03

    Begin building up the skin tones of the figures, using subtle color variations to create form.

  4. step 04

    Develop the drapery folds, using darker values to define the shadows and lighter values for the highlights.

  5. step 05

    Paint the background landscape, using atmospheric perspective to create depth.

  6. step 06

    Refine the details of the figures and drapery, adding highlights and shadows to create a sense of realism.

  7. step 07

    Add final details to the background landscape, such as trees and buildings.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the colors.

color palette

primary · red ochre · ivory black · titanium white

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing red ochre, ivory black, and titanium white. Create shadows by adding ultramarine blue to the mixture. Use yellow ochre to warm up the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, ivory black, titanium white, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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