
plate no. 8721
Hugo van der Goes, 1478
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding how to render drapery folds and textures.
technical profile
approach — 8 steps
Create a preliminary sketch outlining the main figures and composition.
Block in the background with a thin layer of red paint.
Establish the basic shapes and values of the Virgin's face and hands using thin washes of color.
Begin building up the skin tones of the child, paying close attention to highlights and shadows.
Paint the Virgin's dark blue robe, focusing on the folds and drapery.
Add details to the child's features, hands, and feet.
Refine the background and add subtle textures.
Paint the frame and the inscriptions.
color palette
primary · ivory black · burnt umber · cadmium red light · titanium white
secondary · yellow ochre · ultramarine blue · raw sienna
Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the dark blue robe by mixing ultramarine blue and ivory black. Use thin glazes to build up color depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley