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Virgin and Child by Hugo van der Goes

plate no. 8721

Virgin and Child

Hugo van der Goes, 1478

oil, panelNorthern Renaissancereligious paintingfigurereligiousportraitchilddraperyframe
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding how to render drapery folds and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Block in the background with a thin layer of red paint.

  3. step 03

    Establish the basic shapes and values of the Virgin's face and hands using thin washes of color.

  4. step 04

    Begin building up the skin tones of the child, paying close attention to highlights and shadows.

  5. step 05

    Paint the Virgin's dark blue robe, focusing on the folds and drapery.

  6. step 06

    Add details to the child's features, hands, and feet.

  7. step 07

    Refine the background and add subtle textures.

  8. step 08

    Paint the frame and the inscriptions.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the dark blue robe by mixing ultramarine blue and ivory black. Use thin glazes to build up color depth.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering
  • ·blending

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh blending resulting in a flat appearance
  • →Inaccurate skin tone mixing
  • →Ignoring subtle value changes in the drapery

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·dammar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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