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Virgin and Child by Hans Baldung

plate no. 3883

Virgin and Child

Hans Baldung, 1540

panelNorthern Renaissancereligious paintingfigurereligiousmotherchildportraithair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of fabric folds. It also provides practice in depicting the human form and creating a sense of depth through value.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark ground (burnt umber or black).

  2. step 02

    Lightly sketch the main figures and their positions.

  3. step 03

    Block in the large shapes of the figures and drapery with basic color mixtures.

  4. step 04

    Begin layering skin tones, focusing on subtle value changes to create form.

  5. step 05

    Develop the drapery, paying attention to the folds and shadows.

  6. step 06

    Add details to the faces, hair, and jewelry.

  7. step 07

    Refine the background, ensuring it remains dark and recessive.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · alizarin crimson · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The dark drapery is a mix of black, umber, and a touch of red. Hair is created with variations of red, umber, and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat appearance.
  • →Failing to create sufficient contrast between the figures and the background.
  • →Inaccurately rendering the proportions of the figures.
  • →Getting the hair color wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

A smooth canvas is recommended for achieving the subtle blending in this painting.

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