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Virgin and Child by Bernard Van Orley

plate no. 0570

Virgin and Child

Bernard Van Orley, 1515

oilNorthern Renaissancereligious paintingfigurebabydraperyarchitectureinteriorreligious
experienced study

Recreating this painting will help students develop skills in rendering realistic drapery and flesh tones, as well as understanding the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch outlining the main shapes and proportions of the figure, architecture, and drapery.

  2. step 02

    Block in the main colors of the background, including the architecture and landscape seen through the windows.

  3. step 03

    Establish the basic skin tones of the figures, paying attention to the subtle variations in color and value.

  4. step 04

    Begin layering the drapery, focusing on capturing the highlights and shadows to create a sense of volume.

  5. step 05

    Add details to the architecture, including the columns, carvings, and other decorative elements.

  6. step 06

    Refine the features of the figures, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add the final details, such as the patterns on the rug and the highlights in the hair.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Mix various shades of blue and white for the drapery. Use burnt umber and yellow ochre to create the warm tones of the skin and architecture. Add small amounts of red and black to adjust the values and create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →overworking the details too early
  • →flattening the drapery by not paying attention to the light and shadow
  • →getting the proportions of the figures wrong
  • →using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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