apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Viggo Johansen
Viggo Johansen by Peder Severin Kroyer

plate no. 9134

Viggo Johansen

Peder Severin Kroyer, 1887

oilImpressionismportraitportraitmanhatbeardprofilefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing form with visible brushstrokes. It also provides practice in creating a likeness and conveying a sense of character.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a thin wash of neutral color.

  3. step 03

    Establish the darkest values in the hat and coat, and the lightest values on the face.

  4. step 04

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Add the beard and hair, using short, broken brushstrokes to create texture.

  7. step 07

    Refine the details of the hat and coat, adding highlights and shadows to create form.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and realistic portrait.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Vary the proportions to create different shades and highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature
  • ·portraiture

common pitfalls

  • →Overblending skin tones, resulting in a flat or lifeless appearance.
  • →Incorrect proportions, leading to an inaccurate likeness.
  • →Ignoring the subtle variations in color and value.
  • →Getting lost in details too early.
  • →Using too much black, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a limited palette of colors to simplify the mixing process. Work from dark to light, gradually building up the layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann