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home·artworks·View of Tivoli: the Cascatelle and the 'Villa of Maecenas'
View of Tivoli: the Cascatelle and the 'Villa of Maecenas' by Richard Wilson

plate no. 0860

View of Tivoli: the Cascatelle and the 'Villa of Maecenas'

Richard Wilson, 1752

oilRococolandscapelandscapewaterfallbuildingsfigurestreescliffs
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex natural forms like rocks and foliage. It also provides practice in creating a sense of depth and distance.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements (cliffs, waterfall, buildings).

  2. step 02

    Establish the sky and distant landscape with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the major shapes of the cliffs and foliage with darker tones.

  4. step 04

    Begin to define the details of the rocks and trees, using a variety of brushstrokes.

  5. step 05

    Add the waterfall, using white and light gray to create the illusion of movement.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the details of the buildings and other architectural elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of green by combining Prussian blue, yellow ochre, and raw umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using too much paint
  • →Incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes sizes 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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