apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Tangier from a Terrace
View of Tangier from a Terrace by Jean-François Portaels

plate no. 7160

View of Tangier from a Terrace

Jean-François Portaels

oilAcademicismcityscapecityscapebuildingsseaskyarchitectureterrace
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and understanding how light affects different surfaces in a complex scene. Students will also learn to simplify complex architectural forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the horizon line and major building forms.

  2. step 02

    Block in the sky and sea with broad strokes, establishing the overall mood and color.

  3. step 03

    Establish the base colors for the buildings, considering the light and shadow areas.

  4. step 04

    Begin refining the shapes of the buildings, adding details and variations in tone.

  5. step 05

    Work on the details of the architecture, such as windows, doorways, and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the foreground terrace, adding subtle details and textures.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix blues and umbers for the sky and sea. Use white with umber and ochre for the buildings, varying the proportions for different tones.

techniques

  • ·atmospheric perspective
  • ·blocking in
  • ·tonal variation
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overcomplicating the architectural details early on
  • →Not establishing a clear value structure
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium (e.g., Liquin)
  • ·easel
  • ·painting rags

A toned canvas can be helpful for establishing the overall color mood.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus