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home·artworks·View of Peterborough from the South
View of Peterborough from the South by George Lambert

plate no. 9323

View of Peterborough from the South

George Lambert, 1740

oilRococolandscapelandscapecityscapebuildingstreesfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and color variations. It also provides practice in rendering architectural details and foliage in a loose, painterly style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, hills, and trees.

  2. step 02

    Establish the sky with a light wash of blue and pink, blending the colors softly.

  3. step 03

    Block in the distant buildings with diluted browns and grays, paying attention to their relative sizes and positions.

  4. step 04

    Layer in the mid-ground hills and trees, using progressively darker and more saturated colors.

  5. step 05

    Add details to the foreground, including the figures, path, and foliage.

  6. step 06

    Refine the architectural details of the buildings, using a fine brush.

  7. step 07

    Glaze over the entire painting with thin layers of color to unify the composition and create atmospheric effects.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · raw umber · titanium white · ultramarine blue · burnt sienna

secondary · yellow ochre · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green). Use white to lighten values and create atmospheric haze. Mix raw umber and ultramarine blue for a range of grays.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details, especially in the distant buildings.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.
  • →Neglecting the importance of soft edges and blending.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a pre-toned canvas to speed up the painting process.

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