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home·artworks·View of Paris
View of Paris by Albert Dubois-Pillet

plate no. 9068

View of Paris

Albert Dubois-Pillet, 1885

oilPointillismcityscapecityscapebridgebuildingstreesfiguressky
experienced study

Recreating this painting will help students develop patience and precision in applying small dots of color to create a larger image, as well as understanding how color mixing occurs visually in pointillism.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, bridge, and figures.

  2. step 02

    Divide the canvas into sections corresponding to the sky, buildings, bridge, park, and figures.

  3. step 03

    Start with the sky, applying small dots of light peach and white, gradually increasing the density of dots towards the horizon.

  4. step 04

    Move to the buildings, using dots of yellow, orange, purple, and brown to create the structure.

  5. step 05

    Paint the bridge with blue, purple, and white dots, varying the density to create depth.

  6. step 06

    Fill in the park with rows of different colored dots (orange, yellow, purple) to represent the ground and pathways.

  7. step 07

    Add the figures with small dots of brown and white.

  8. step 08

    Refine the details and add final touches, ensuring the dots are evenly spaced and the colors blend visually.

color palette

primary · white · yellow · orange

secondary · purple · blue · brown

Achieve the various shades by mixing primary colors with white for lighter tones, and adding small amounts of secondary colors to create subtle variations.

techniques

  • ·pointillism
  • ·color mixing
  • ·optical blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Applying dots too close together, resulting in a muddy appearance.
  • →Using too few colors, leading to a flat and uninteresting image.
  • →Losing patience and rushing the process, resulting in uneven dot distribution.
  • →Not planning the color placement beforehand, leading to a chaotic composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·small round brushes (#0, #1, #2)
  • ·palette
  • ·water
  • ·paper towels
  • ·pencil

optional

  • ·easel
  • ·palette knife
  • ·ruler

Use high-quality acrylic paints for best results. Experiment with different brush sizes to achieve varied dot sizes.

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