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home·artworks·View of Fuenterrabía
View of Fuenterrabía by Luis Paret y Alcazar

plate no. 8696

View of Fuenterrabía

Luis Paret y Alcazar, 1786

oilRococolandscapelandscapefigurestownriverskytrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth through layering and color variation.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the town, river, and figures.

  2. step 02

    Establish the sky with a light, blended wash of color.

  3. step 03

    Block in the large shapes of the landscape, using a thin wash of earth tones.

  4. step 04

    Add details to the town in the distance, paying attention to perspective.

  5. step 05

    Develop the foreground with more detail, including the figures and trees.

  6. step 06

    Refine the values and colors, adding highlights and shadows to create depth.

  7. step 07

    Add final details, such as the reflections in the water and the texture of the foliage.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of thinned color to create subtle variations.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Creating too much contrast in the distance
  • →Failing to establish a clear focal point
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (Liquin)

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the initial values.

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oil painting for beginners →how to learn by studying the masters →
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