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home·artworks·View of El Arenal in Bilbao
View of El Arenal in Bilbao by Luis Paret y Alcazar

plate no. 7605

View of El Arenal in Bilbao

Luis Paret y Alcazar, 1784

oilRococolandscapemountainswaterfiguresbuildingsskyboats
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle tonal variations, and rendering complex scenes with multiple elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition's main elements: mountains, water, buildings, and figures.

  2. step 02

    Block in the large shapes of the landscape with thin washes of color, focusing on the overall value structure.

  3. step 03

    Establish the sky gradient, blending from warm tones at the horizon to cooler tones higher up.

  4. step 04

    Develop the mountains, using layers of color to create depth and atmospheric perspective.

  5. step 05

    Paint the water, capturing the reflections of the sky and surrounding landscape.

  6. step 06

    Add details to the buildings, paying attention to their architectural features and placement in space.

  7. step 07

    Render the figures in the foreground, using small brushstrokes to define their forms and clothing.

  8. step 08

    Add final details and highlights to enhance the overall sense of realism and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix blues and umbers with white for the water and distant mountains. Use ochre and umber for earth tones. Add small amounts of red and green to create variations in the landscape.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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