apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Dresden, the Frauenkirche
View of Dresden, the Frauenkirche by Canaletto

plate no. 7197

View of Dresden, the Frauenkirche

Canaletto

oilRocococityscapecityscapearchitecturebuildingsskyfiguresstreet
experienced study

Recreating this painting will help students develop skills in perspective drawing, color mixing for atmospheric effects, and rendering architectural details. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of major architectural elements.

  2. step 02

    Block in the sky with a thin wash of light blue and gray, blending the colors softly.

  3. step 03

    Establish the basic shapes of the buildings using a limited palette of browns, grays, and whites.

  4. step 04

    Add details to the buildings, paying attention to the windows, cornices, and other architectural features.

  5. step 05

    Mix a range of brown and gray tones to create the street surface, indicating the direction of light.

  6. step 06

    Paint in the figures, keeping them small and simple, focusing on their silhouettes.

  7. step 07

    Add highlights and shadows to create depth and dimension in the buildings and street.

  8. step 08

    Refine the details and adjust the colors as needed to create a cohesive and atmospheric painting.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna

Mix various shades of gray by combining white with small amounts of raw umber and Prussian blue. Use yellow ochre and burnt sienna to add warmth to the browns and grays.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Using too many colors can create a chaotic and unbalanced composition.
  • →Failing to establish a clear light source can result in a flat and unconvincing painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to simplify the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West