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home·artworks·View of Dover Castle
View of Dover Castle by George Lambert

plate no. 9865

View of Dover Castle

George Lambert, 1738

oilRococolandscapecastlehillsskycloudsseafigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic cloud formations and subtle color transitions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, hills, and horizon line.

  2. step 02

    Establish the sky with a light blue base, blending in subtle variations of yellow and white near the horizon.

  3. step 03

    Block in the general shapes of the hills and castle with mid-tone greens and browns.

  4. step 04

    Begin layering the hills, using darker values in the foreground and lighter values in the distance to create depth.

  5. step 05

    Add details to the castle, paying attention to the architectural structure and shadows.

  6. step 06

    Paint the sea with a muted blue-green, adding highlights to suggest reflections.

  7. step 07

    Render the clouds with soft, blended edges, using white and light gray tones.

  8. step 08

    Add the figures and other small details in the foreground to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·soft blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Using too much pure white, which can make the painting look chalky.
  • →Failing to create enough contrast between the foreground and background.
  • →Not blending the colors sufficiently, resulting in a choppy or uneven appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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