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home·artworks·View of Copped Hall in Essex, from the Park
View of Copped Hall in Essex, from the Park by George Lambert

plate no. 3805

View of Copped Hall in Essex, from the Park

George Lambert, 1746

oilRococolandscapetreeslandscapeskybuildingfigurespark
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth in a landscape. It also provides practice in rendering foliage and subtle color variations in natural light.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, the horizon line, and the building in the distance.

  2. step 02

    Establish the sky with light blue and white, blending the colors smoothly.

  3. step 03

    Block in the distant landscape with muted greens and browns, using lighter tones for areas further away.

  4. step 04

    Paint the larger masses of trees, using darker greens and browns for the foreground trees and lighter shades for those in the distance.

  5. step 05

    Add details to the trees, such as individual leaves and branches, using a smaller brush.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and clothing.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · sap green · titanium white · ultramarine blue

secondary · burnt umber · yellow ochre · cadmium yellow light

Mix greens by combining blue and yellow, and adjust the tones with white or umber. Achieve atmospheric perspective by lightening colors with white as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·rendering foliage

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a canvas with a smooth surface to facilitate blending. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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