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home·artworks·View of Copped Hall in Essex, from across the Lake
View of Copped Hall in Essex, from across the Lake by George Lambert

plate no. 3696

View of Copped Hall in Essex, from across the Lake

George Lambert, 1746

oilRococolandscapelaketreesbuildingskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering. Students will also practice mixing subtle greens and blues to represent water and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the building and trees.

  2. step 02

    Establish the sky with light blues and grays, blending the colors softly to create clouds.

  3. step 03

    Block in the distant hill and building with muted greens and browns, paying attention to the atmospheric perspective.

  4. step 04

    Paint the lake with varying shades of blue and green, reflecting the sky and surrounding landscape.

  5. step 05

    Add the foreground foliage and trees, using darker greens and browns to create depth.

  6. step 06

    Include details like the figures and boat, keeping them small and simple.

  7. step 07

    Refine the details of the building and trees, adding highlights and shadows.

  8. step 08

    Add final touches, such as reflections in the water and subtle variations in the sky.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Cadmium yellow · Alizarin crimson · Sap green

Mix greens by combining yellow ochre and Prussian blue. Use white to lighten colors and create atmospheric perspective. Add a touch of alizarin crimson to browns for warmth.

techniques

  • ·Atmospheric perspective
  • ·Layering
  • ·Soft blending
  • ·Dry brushing
  • ·Color mixing

common pitfalls

  • →Overworking the details in the distant building.
  • →Making the foreground too dark and overpowering.
  • →Using too much pure color without mixing.
  • →Failing to create a sense of depth.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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