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home·artworks·View near Llangaddock, Carmarthenshire
View near Llangaddock, Carmarthenshire by Charles Martin Powell

plate no. 3821

View near Llangaddock, Carmarthenshire

Charles Martin Powell, 1814

oilAcademicismlandscapelandscapetreeswaterbridgehillssky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value. Students will also practice rendering foliage and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the hill, bridge, and trees.

  2. step 02

    Establish the sky with a thin wash of muted yellows and grays, creating a subtle gradient.

  3. step 03

    Block in the distant hills with lighter, cooler greens to create atmospheric perspective.

  4. step 04

    Paint the large tree on the left, using darker greens and browns for the foliage and trunk.

  5. step 05

    Add the bridge, paying attention to the perspective and the reflections in the water.

  6. step 06

    Paint the water, blending colors to create a sense of depth and movement.

  7. step 07

    Add details to the foreground, such as rocks and vegetation.

  8. step 08

    Refine the details and add highlights to create a sense of light and shadow.

color palette

primary · yellow ochre · raw umber · titanium white · Prussian blue

secondary · burnt sienna · ivory black

Mix greens by combining yellow ochre and Prussian blue. Use white to lighten colors and create atmospheric perspective. Raw umber and burnt sienna can be used to create earth tones.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the distant hills, which should remain soft and muted.
  • →Creating too much contrast, which will flatten the image.
  • →Making the colors too saturated, which will detract from the overall mood.
  • →Ignoring the reflections in the water, which are essential for creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture for easier blending. Consider using a toned canvas to establish the base color.

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oil painting for beginners →how to learn by studying the masters →
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