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home·artworks·View from S. Vigilio
View from S. Vigilio by Peder Mørk Mønsted

plate no. 6738

View from S. Vigilio

Peder Mørk Mønsted

oil, canvasAcademicismlandscapestreetbuildingsfigurestreeswallsdonkey
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for natural light, and rendering textures of stone and foliage. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and perspective lines of the buildings, walls, and figures.

  2. step 02

    Block in the sky with a thin wash of blue, gradually lightening towards the horizon.

  3. step 03

    Establish the basic values of the walls and street, paying attention to the light and shadow patterns.

  4. step 04

    Begin adding details to the walls, using broken brushstrokes to create texture and variation.

  5. step 05

    Paint the figures, starting with the larger shapes and gradually adding details to their clothing and features.

  6. step 06

    Add the trees and foliage, using a variety of greens and browns to create depth and texture.

  7. step 07

    Refine the details of the street, adding cracks, stones, and shadows.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix various shades of grey and brown by combining burnt umber, yellow ochre, and ultramarine blue with white. Use small amounts of alizarin crimson and cadmium yellow to create warmer tones for the walls and foliage.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·linear perspective

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall impression of light and atmosphere.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the subtle variations in value and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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