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home·artworks·Viaduct at L'Estaque
Viaduct at L'Estaque by Georges Braque

plate no. 9380

Viaduct at L'Estaque

Georges Braque, 1908

oil, canvasCubismlandscapebuildingslandscapebridgetreesarchitecturesky
some experience helpful

Recreating this painting will help students understand simplified forms and how to represent depth through color and layering. It also provides practice in using visible brushstrokes to build texture and shape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, bridge, and landscape, focusing on their relative positions.

  2. step 02

    Block in the large areas of color, starting with the lightest yellows and tans for the buildings and bridge.

  3. step 03

    Add the darker greens for the trees and foliage, using short, choppy brushstrokes.

  4. step 04

    Mix and apply the orange-brown tones for the roofs, defining their shapes with distinct edges.

  5. step 05

    Introduce the blues and greens in the sky, using directional brushstrokes to suggest movement.

  6. step 06

    Refine the shapes and edges of the buildings and bridge, adding details like windows and shadows.

  7. step 07

    Adjust the color balance and value contrast to create depth and visual interest.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · sap green · cerulean blue

secondary · burnt sienna · raw umber · titanium white

Mix greens by combining yellow ochre and cerulean blue. Create variations in the yellows and tans by adding small amounts of burnt sienna or raw umber. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·directional brushstrokes
  • ·simplified forms
  • ·layering
  • ·color blocking

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Losing the simplified forms by adding too much detail.
  • →Failing to create enough contrast between light and dark areas.
  • →Not capturing the directional brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to provide texture for the paint. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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